JAN ROY:
Jan Roy "Process II"
Collage
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"Sheltered," Collage on Paper Painted papers, newspapers and acrylic Framed: 17" x 17.5" |
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"Morning," Collage on Paper Painted papers, newspapers and acrylic Framed: 17" x 17.5" |
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"Today's News," Collage on Paper Painted papers, newspapers and acrylic Framed: 17" x 17.5" |
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Forsythia, Collage on Canvas
Painted papers, newspapers and oil/acrylic: Image 20” x 16,” Framed, 21” x 17” |
"Subway," Collage on Paper
Painted papers, newspapers and oil/acrylic: Image 20” x 16,” Framed, 20” x 16” |
"Going Home," Collage on Paper
Painted papers, newspapers and oil/acrylic: Image 15.25” x 11.25,” Framed, 16.75” x 13” |
"Waterfront," Collage on Paper
Painted papers, newspapers and oil/acrylic: Image 14” x 9.5,” Framed, 16.75” x 13” |
"Money Plant"
Acrylic on canvas, 60” x 40”
Acrylic on canvas, 60” x 40”
"Blue Vase"
Oil on canvas
Image 20”x 20,” Framed
Oil on canvas
Image 20”x 20,” Framed
Previous Exhibits
"A Garden Dream"
"Early Summer" Oil on canvas
Framed, image 48" x 48"
Framed, image 48" x 48"
“Kitchen Morning”
Oil on canvas
40”x 30”
Oil on canvas
40”x 30”
“Pink Pitcher
Oil on canvas 20" x 16" |
"Gathering"
Oil on canvas 12" x 12" |
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“Blue Table”
Oil on board image 7”x 7” framed 14.5" x 14.5" |
"Florest"
Oil on canvas image 8" x 8" framed 14.5" x 14.5" |
I find I am working with less and less information. Beginning a new painting I find myself subconsciously focusing on a moment I had, a place where I was, something I want to get back to.
When I am in the studio and removed from the emotions, distractions and complications of a place, I start putting down paint anticipating that the color will lead me along. Color is the most important ingredient
in a painting to me, the component that I find most exciting. I paint, scrape, cover again, allowing the story of it's evolution to show through.
Bike riding contributes to the abstract quality of my work. When I'm on a bike I feel disconnected from what I am seeing. The ground becomes a flat plain and objects become abstract and two dimensional.
When I am in the studio and removed from the emotions, distractions and complications of a place, I start putting down paint anticipating that the color will lead me along. Color is the most important ingredient
in a painting to me, the component that I find most exciting. I paint, scrape, cover again, allowing the story of it's evolution to show through.
Bike riding contributes to the abstract quality of my work. When I'm on a bike I feel disconnected from what I am seeing. The ground becomes a flat plain and objects become abstract and two dimensional.
"Over the Atlas" Oil on canvas
Framed, image 30" x 30"
Framed, image 30" x 30"
Jan Roy's Gouache and Acrylic on Paper
