JAN ROY:
"A Touch of Gold"
"The Harbor"
Oil on canvas, 24" x 36"
Oil on canvas, 24" x 36"
"Dreaming"
Oil on canvas, 60" x 40"
Oil on canvas, 60" x 40"
"A Summer Song"
"Early Summer"
Oil on canvas 48" x 48"
Oil on canvas 48" x 48"
"Money Plant"
Acrylic on canvas, 60” x 40”
Acrylic on canvas, 60” x 40”
"Mid Afternoon"
Oil on canvas, Framed 24" x 18"
Oil on canvas, Framed 24" x 18"
Jan Roy "Process II"
Collage
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"Sheltered," Collage on Paper Painted papers, newspapers and acrylic Framed: 17" x 17.5" |
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"Morning," Collage on Paper Painted papers, newspapers and acrylic Framed: 17" x 17.5" |
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"Today's News," Collage on Paper Painted papers, newspapers and acrylic Framed: 17" x 17.5" |
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Forsythia, Collage on Canvas
Painted papers, newspapers and oil/acrylic: Image 20” x 16,” Framed, 21” x 17” |
"Subway," Collage on Paper
Painted papers, newspapers and oil/acrylic: Image 20” x 16,” Framed, 20” x 16” |
"Going Home," Collage on Paper
Painted papers, newspapers and oil/acrylic: Image 15.25” x 11.25,” Framed, 16.75” x 13” |
"Waterfront," Collage on Paper
Painted papers, newspapers and oil/acrylic: Image 14” x 9.5,” Framed, 16.75” x 13” |
"Blue Vase"
Oil on canvas
Image 20”x 20,” Framed
Oil on canvas
Image 20”x 20,” Framed
Previous Exhibits
"A Garden Dream"
“Kitchen Morning”
Oil on canvas
40”x 30”
Oil on canvas
40”x 30”
“Pink Pitcher
Oil on canvas 20" x 16" |
"Gathering"
Oil on canvas 12" x 12" |
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“Blue Table”
Oil on board image 7”x 7” framed 14.5" x 14.5" |
"Florest"
Oil on canvas image 8" x 8" framed 14.5" x 14.5" |
I find I am working with less and less information. Beginning a new painting I find myself subconsciously focusing on a moment I had, a place where I was, something I want to get back to.
When I am in the studio and removed from the emotions, distractions and complications of a place, I start putting down paint anticipating that the color will lead me along. Color is the most important ingredient
in a painting to me, the component that I find most exciting. I paint, scrape, cover again, allowing the story of it's evolution to show through.
Bike riding contributes to the abstract quality of my work. When I'm on a bike I feel disconnected from what I am seeing. The ground becomes a flat plain and objects become abstract and two dimensional.
When I am in the studio and removed from the emotions, distractions and complications of a place, I start putting down paint anticipating that the color will lead me along. Color is the most important ingredient
in a painting to me, the component that I find most exciting. I paint, scrape, cover again, allowing the story of it's evolution to show through.
Bike riding contributes to the abstract quality of my work. When I'm on a bike I feel disconnected from what I am seeing. The ground becomes a flat plain and objects become abstract and two dimensional.
"Over the Atlas" Oil on canvas
Framed, image 30" x 30"
Framed, image 30" x 30"
Jan Roy's Gouache and Acrylic on Paper
